Research methods include the creation of an updated survey of the 57 paintings and builds on two previous non-invasive scientific studies, which revealed that three-quarters of the Munch collection hadīeen varnished by the museum. In terms of conservation, the focus is on the non�original restoration varnish layers. The following study addresses the challenges in designing a viable conservation decision�making model for an anachronistically displayed collection of paintings. This phenomenon is reflected in the National Museum of Art’s collection of 57 Munch paintings, which has a collective display tradition in terms of the Munch Room. Despite their permanent museum status, historical painting collections are not necessarily static as they continue to evolve over time and in tandem with current views and changes in perception. Since the second half of the 20th century, public museums have witnessed a steady increase in expectations for implementing transparent conservation and preservation strategies for their art collections, balanced with requirements for display and accessibility.
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January 2023
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